While looking for light reading material for a recent airplane ride, I grabbed a pink book with a naked male torso that I vaguely recalled picking up at the King School Book Fair for 50 cents. I read the back cover, I read the first page, I randomly flipped through the book, and I could conjure up no memory of actually having read the book, so I stuck it into my carry-on, well within my 22-pound limit.
Although I usually prefer writers like Richard Rodriguez and Andrew Lam, not to mention Literature with a capital L, it’s summer, it’s an airplane, and I want something light and easy and with a happy ending. I have an equally embarrassing secret weakness for watching bad romantic comedies on the plane this time of year, too. (I was sorely disappointed to realize at 35,000 feet that I had indeed read this book before, but it was so terrible that I could not remember how it turned out, so I had to read it all the way to the end a second painful time).
Summer is the season for light romantic comedies, and because there typically are no Asians cast or written into these stories, I can, ironically, go “off-duty” regarding race and culture for a moment and indulge myself in the great American illusion that the white experience is “universal.” It can actually be extra-hurtful to accidentally encounter an "Asian" character (like Mickey Rooney's character in "Breakfast at Tiffany's") when I am in this mode because I thought I was safe.
click on link for more: Reading light summer romance without Asians, Asian Americans, or people of color - NAM EthnoBlog
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Tuesday, July 12, 2011
AML: Reading light summer romance without Asians, Asian Americans, or people of color - NAM EthnoBlog
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